“The Parable of the Country” and “Georgia”: Bagrations’ Allegoryc Paintings

Tsira Kilanava


The present document studies the paintings of allegorical nature, reflecting the

state of the country in XVIII-XIX centuries, created by two Georgian Royal family representatives; both of the paintings are analyzed in the context of the contemporary historical background, and the common fundamental semiotic codes are revealed.


Postmedieval Discource; Bagrations; Verbal/Vizual Narrative; allegory

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