“The Parable of the Country” and “Georgia”: Bagrations’ Allegoryc Paintings

Authors

  • Tsira Kilanava

DOI:

https://doi.org/10.32859/kadmos/2/48-63

Keywords:

Postmedieval Discource, Bagrations, Verbal/Vizual Narrative, allegory

Abstract

The present document studies the paintings of allegorical nature, reflecting the

state of the country in XVIII-XIX centuries, created by two Georgian Royal family representatives; both of the paintings are analyzed in the context of the contemporary historical background, and the common fundamental semiotic codes are revealed.

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Published

2010-12-28

How to Cite

Kilanava, T. (2010). “The Parable of the Country” and “Georgia”: Bagrations’ Allegoryc Paintings. Kadmos. A Journal of the Humanities, (2), 48–63. https://doi.org/10.32859/kadmos/2/48-63

Issue

No. 2 (2010): Kadmos. A Journal of the Humanities

Section

Articles

License

Copyright (c) 2010 Tsira Kilanava

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This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors retain the copyright. They grant the journal the right of first publication and permit the use of their work under a CC BY-NC license, which allows others to download and share articles, provided that Kadmos. A Journal of the Humanities is credited as the source. The works derived from them can be used for noncommercial purposes only.